My proposed research at Princeton is a natural evolution of the works presented here. In (a)temporalities, I explored stillness, duration, and how rupture can activate deeper listening. These questions continue to inform my investigation of perception through sensory attention. Threshold of Resonance extends this inquiry through site-responsive performance, spatial sound, and my experience of single-sided deafness, asking how altered perception changes our relationship to the body and the spaces we inhabit. Finally, Sound Study Findings documents my developing participatory practice through photographs and reflections from guided vocal, listening, and somatic sessions. These responses offer insight into the varied ways people experience the same sonic environment. Together, the works trace a movement from performance toward shared sensory investigation. They form the foundation for my proposed somatic pedagogy, through which I hope to explore how attention, reflection, and artistic practice might become a shared language for perception and community.